Sanskriti Anveshak: Bio-resources of NER: Sustainable Utilization for Entrepreneurship Dev

VKIC’s ongoing Sanskriti Anveshak (SA) Programme on the theme ‘Development through Culture: nature-culture-wellbeing fostering sustainable development’ which is now in its second phase sessions with the focus on ‘Place, People and Practices’.We are happy to invite you for the ninth and concluding session of this series scheduled on 29 January (Saturday) 2022 at 7 pm through the CISCO Webex virtual platform.

VKIC’s 25 Years Celebration with Vivek Murchhana

The celebration of 25 years of the foundation of Vivekananda Kendra Institute of Culture, Uzan Bazar, Guwahati, commenced here on 23 January (Sunday) 2022 with a musical performance titled ‘Vivek Murchhana’ as an offering to the Almighty.The program anchored by noted classical vocalist Smt Mitali De, witnessed the rendition of acclaimed classical vocalist Sri Jiten Basumatary, followed by a Sarod recital by renowned sarod maestro Sri Tarun Kalita, and a Sattriya dance performance by leading Satriya dance exponent Smt Anita Sharma. She also choreographed Sada Vivekanandamayem rendition in Sattriya form which invited the maximum applause from the audience.Earlier, in his welcome address, Sri Pravin Dabholkar, All India Treasurer, Vivekananda Kendra Kanyakumari and trustee Vivekananda Kendra Institute of Culture (VKIC) spoke about the intangible service of the VKIC for the past 25 years towards the culture tradition of north eastern India.

Thirty Three Koti Divinities

A popular but unfounded belief has been spread that Hindus have thirty-three crore (33,00,00,000) gods. It is a misunderstanding of the Vedic concept of the State, and hence a misinterpretation of the word koti. Thirty-three divinities are mentioned in the Yajur-Veda, Atharva Veda, áatapatha-Brāhmana and in other Vedic and later texts. The number thirty-three occurs with reference to divinities in the Parsi scriptures of Avesta as well.

Marriage Rituals and Customs in the Jain Community

In Jaina tradition, as in all Indian communities, marriage is a community event as not only two individuals, but two families are united. Until, and sometimes after, marriage, children generally live with their parents, and it is the parents’ responsibility to introduce them [perhaps with the help of suitable intermediaries] to prospective marriage partners. It is quite misleading to refer to this as arranged marriage – in practice, the couple has every opportunity over a long period to get to know each other, and the decision to marry belongs to them alone.

Reflection of the Rāmāyana in the Marriage Songs of Assam, Bengal and Orissa

The epic tradition of India upholds an ideal tradition of Indian culture, assimilating the folk culture in it. India is a country of different communities, languages and cultural groups. Inspite of all the diversities it has a basic cultural unity. This unity is cemented firmly by the great epics like the Rāmāyana and the Mahābhārata. The Rāmāya¸a remains a perennial source of social functions on the cultural life of India.